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Camille Pissarro
Pang plans Schwarz lake
mk259 1867 Oil on canvas years 58.5 x 72 cm
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Camille Pissarro
Pang plans go way oise
mk259 1868 Oil on canvas years 38 x46 cm
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Camille Pissarro
Pang plans Schwarz, secret garden homes
mk259 1868 Oil on canvas years 81.5 x 100 cm
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Camille Pissarro
Pang plans scenery Schwarz
mk259 1868 Oil on canvas years 81 x 100 cm
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Camille Pissarro
Pang plans scenery Schwarz
mk259 1868 Oil on canvas years 38 x 46.5 cm
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Camille Pissarro
Pang map of apple Schwarz
mk259 1868 Oil on canvas years 38 x 46 cm
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Camille Pissarro
Pang map of the river and the bridge Schwarz
mk259 1868 Oil on canvas years 52 x 81 cm
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Camille Pissarro
Walking in the countryside
mk259 1869 Oil on canvas years 47 x 56.5 cm
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Camille Pissarro
Hut villages
mk259 1870 Oil on canvas years 46 x 55.5 cm
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Camille Pissarro
Village garden
mk259 1870 Oil on canvas years 89 x 116 cm
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Camille Pissarro
Pine
mk259 1870 Oil on canvas years 69 x 78 cm
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Camille Pissarro
Walking in the countryside on the road loggers
mk259 1870 Oil on canvas years 47 x 56.5 cm
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Camille Pissarro
Rural road
mk259 1870 Oil on canvas years 38 x 46 cm
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Camille Pissarro
Montreal luck construction scenery
mk259 1870 Oil on canvas years 45 x 53 cm
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Camille Pissarro
Lu Xian floating snow road
mk259 1870 Oil on canvas years 43.2 x 65 cm
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Camille Pissarro
Belphegor Xi'an Snow
mk259 1870 Oil on canvas years 32.3 x 47.5 cm
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Camille Pissarro
Connaught Kivu area on Snow
mk259 1871 Oil on canvas years 44.5 x 55.5 cm
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Camille Pissarro
Connaught Kivu area on saints church
mk259 1871 Oil on canvas years 46 x 55 cm
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Camille Pissarro
Billy Avenue
mk259 1871 Oil on canvas years 45 x 55 cm
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Camille Pissarro
Dodge College
mk259 1871 Oil on canvas years 50 x 61 cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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